From 2010-2012, Thorp was the Data Artist-in-Residence at The New York Times, where he brought information to life by combining data science with a love of colorful design. His tremendously popular “Cascade” tool visualizes the sharing of content through social media, offering insight into the way we use digital networks to share, influence, and connect with others. “Cascade” was featured in Harvard’s Nieman Journalism Lab, Fast Company, Mashable, and Adweek.
Native to Vancouver, Thorp now lives in New York City, where he teaches in NYU’s Interactive Telecommunication Program. He has been a vocal advocate around data, ethics, and privacy, spearheading a project with The OCR called Floodwatch, a collective ad monitoring tool that empowered individuals to see how advertisers were profiling them (often inaccurately, and unfairly). The aim was to help combat discriminatory practices, such as targeting specific demographics to fill a housing development over others. His award-winning work has been exhibited, read, and implemented in Europe, Africa, Asia, North America, and South America. He has over a decade of teaching experience, and has presented at The Ford Foundation in New York City, the National Academies, and the Library of Congress.
What is it like to live in data? To be a human in a world where every action is instrumented, where our jobs and our families and our love lives are increasingly quantified? In this session, Jer Thorp, National Geographic Explorer and former data artist in residence at The New York Times, will share a series of projects by The Office for Creative Research which examine the fast-changing relationship between data and culture. From visualizations to performances and public art, Jer will explore ways in which we can bring data closer to humans, and propose ways that we can all work to make a more livable data world.